Tapís Sonor d'Urús (2024)
A performance to weave the soundscape that happens around. A practice that derives from the conceptualization of sound art that addresses conceptual and textual construction. A conceptualization of the sound world that represents an expanded situation of sound and its uncontainable textuality, and which is made concrete by weaving the score with the textual descriptions of the soundscape that takes place around it. Spectators encounter the performance as in the encounter with a landscape painter with his easel set up to portray the landscape live, and who wants to invite them to practice the deep listening (Deep Listening) that the artist Pauline talks about Oliveros. Listening that allows us to become aware of the sound world that surrounds us and invites us to reflect on it. The score includes sounds of all kinds, geophysical, which derive from climatic and geographical elements, biological, which derive from living beings, and anthropological, which derive from different mechanical artifacts. A sound practice that is a complement to the conceptualism developed by Duchamp in the visual arts where he questioned the retinal conception, thus he proposes a non-cochlear sound art, the material with which he works is sound, but with a different concreteness.
Jingles Eivissencs 2023
A multidisciplinar work developed after a deep research on Ibiza's sound identity. A work that includes Photography, Videoart, Sound Art and Experimental Writing.
#WomenArtists 2022
#womenartists is born from the idea that the gender gap also exists in the art world. The intention is that the names of the artists become public domain and arouse interest in their work. This is how I wanted to combine the portrait of each artist with a visual reference of their work in the form of a collage.
CryptoRoses, 2021
Dancers, 2020
My Place, Your Place, 2019
When considering the remodeling of my studio, I took in consideration the ideas developed by Richard Sennet in his book "The public space". A studio on the street, with a large window,, inserted into the city, like a porous membrane that allows communication, integrate the neighborhood, rescue people from indifference, a space that is not a closed box but seeks the balance between intimacy and exposure, between public and private, where it turns out that the exchange and the presence of others acts as a stimulus, as a creative force. Because cosmopolitanism results from the positive presence of others.
McChurros, 2018
The artists of the Collective Nottwins eat some churros in fort of the camera, as part of the project to portrait “Any day in Madrid” for the Hybrid Art Fair. Taking the idea from the video of Andy Warhol eating a Burger as part of the set of postcards that he recorded to portrait the USA for Jörgen Leth’s Documentary (66 scenes from America)
With Isabel García-Munté.
Mar i Cel, 2016
This exhibition took place in the summer of 2015 in Sitges at the Agora Gallery. The work presented was about the sky and the sea, inspired for her love in the swimming races on open waters... Photos, paintings, sculptures ... trying to take the audience to the pleasure to enjoy the water .
Luxury Audience, 2015
This exhibition took place in Barcelona is collection of pieces that have scenes where viewers are either collectively or individually in different areas looking images. To highlight the role of the viewer because it si well known that the work in not finished until they are been watch. art lives at the time suggests argument about what is seen. Allowing to build ones unique strory.
The collection of 100 sculptures of dogs watching the paintings are used as a metaphor of the different possible audience.
Any Day in Formentera, 2014
This exhibition took place in the summer of 2014, at Sant Francesc, in Formentera. The main idea behind these pieces was to show what can happen any day in Formentera. It included a several amount of drawings, a video, and an instalation. See for yourselves the scenes on the beach, the people having fun or just enjoying the moment, some birds, djs, nature and hammocks...
A Lovestory, 2011
This exhibition took place in the Hartmann Gallery in Barcelona, in 2011. All the paintings, photos and sculptures were about couples. She wanted to pursue the idea of always having someone by your side. Multiple couples are represented, walking around, sitting... it did not even matter what they were doing as long as they were together.
Readers, 2009
This exhibition was to conmemorate the Year of the Book, that took place in Barcelona in 2009. It was a one day exhibition at Hotel La Florida in Barcelona. The thing here was to always apply a book in any of the situations that were represented in each of the many paintings and sculptures that Vives-Fierro made.
